Comedy Movies - time to take off the kid gloves!

I just recently saw Hot Tub Time Machine...

 ...yeah, that Hot Tub Time Machine, and trying my best to ignore the wash of teal and orange, I settled in for what I hoped would be a hilarious combination of Bill and Ted's Excellent Adventure meets The Hangover.  I mean, the flick's got a great setup and John Cusack going for it - this should kick some funnybone ass.

Well, the movie is... ok.

And that's the problem.

So many of these comedies start with a good premise, some gifted actors and then they kinda go soft.  They hit you with a good line here, a promising development there, and then right when you're ready for the big laugh... they let up on the gas.

Let me be frank for a moment here.  Comedy shares a lot with Horror and Porn.  It's all about timing, tension and release.

It's really not rocket science.  Please, just give me some wacky characters, an engaging plot, but most of all...

MAKE IT FUNNY - AND DON'T LET UP!!!

Hollywood - no, it's not all that bad

I realize that some of my posts on this blog have tended to have an anti-Hollywood bias.  So in an effort to not seem like a complete dour sour-puss I thought I'd share with you some of the movies that I actually did enjoy in 2009:

(insert sounds of crickets chirping)


No, seriously, here we go (in stream-of-consciousness order):

- Inglourious Basterds
- District 9
- The Hurt Locker
- A Serious Man
- Up in The Air
- Up
- Watchmen
- Adventureland
- The Blind Side (ok, I admit I actually cried a little)
- The Cove
- Food, Inc.
- Let the Right One In (yeah, it was released in 2008 but I didn't see it until 2009)
- Drag Me to Hell
- Paranormal Activity
- Tell No One (alright, yes that was produced even further back in 2006 but what can I say, I miss some things you know)
- Knowing
- The Hangover
- Anvil!
- Star Trek
- Avatar (the first 90 minutes only - see my post here:)

You see, most of those are Hollywood-produced films, with a sprinkling of indies, docs and foreign films as well.

Ah... there, now I feel all warm and cozy knowing that great movies can be made despite the risk-averse Hollywood mainstream that continues to churn out ripoffs, retreads and sequels.

(oops, sorry - just can't help myself sometimes.)

All You Photoshop Geeks - Check Out New Content Aware Fill Tool

Wow - check out this demo of the upcoming Adobe Photoshop CS5 and the new Content Aware Fill Tool.

For any of you who have had to painstakingly recreate backgrounds for areas where you had to remove something, prepare to weep at the ease at which this new tool gets the job done.  I know I've spent many an hour Clone-Stamping walls, floors, skies, etc after a client asked to "just move that couch over there...".

Of course you do realize this also means we're all out of a job, because you know, I used to be able to actually bill for those hours of work.

Oh well, progress marches on...

Reality TV Wreckage

A few years ago, both my wife and I started watching what we thought was a more "high-brow" variety of reality-tv - shows on Discovery, TLC, Food Network (you know, the educational channels), that focused on real-life families and their unique jobs or circumstances.  I got hooked on American Choppers both for its how-to look at custom chopper building (something I knew nothing about), and for its fascinating examination of the antics of the Teutul family.  My wife closed in on Jon & Kate Plus 8, a peek into the "wow, thank goodness that isn't us" world of newborn sextuplets and the harried lives of Jon & Kate as they struggled to get through each day.

Let's not kids ourselves, we knew we weren't watching PBS, but at least it seemed a little better than a night with The Bachelor, or Temptation Island.  The shows appeared to be a watered-down version of the premise of the highly acclaimed "Up" series of films (7 Up, 7 Plus Seven, 21 Up, etc.) that followed the lives of 14 typical British youth and examined them every seven years - providing insights into not only their individual lives, but complex societal issues of race, class and the human condition.

However, a strange thing started to happen to both our little "slice-of-life" shows. What began as a peek inside a custom chopper garage soon became a parade of logos, as Paul Sr. and the boys began assembling bike after bike for Intel, Gillette, HP, and other corporate clients. Curiously, that struggling Gosselin family of 10 suddenly got a bigger van and a bigger house and vacations to Disney World and ski trips to Utah.

And then all hell broke loose.  As the people on the shows became more successful, as their lives got easier, their homes bigger and their bank accounts fuller, they began to tear at each other like rats in a cage.  Eventually it became clear that the shows were no longer about ordinary people and their daily lives - what we were watching were extraordinary insights into how media attention itself affects the average person, and the seemingly inevitable downfall that follows.

Teal and Orange - Part 2

Wow, my last post started a little wildfire... who knew?

In an effort to clarify and distill my argument down to it's purest form I will ask just one question (and I will even eliminate Transformers 2 from my debate since it's such an easy target).

Can ANYONE justify the aesthetic choice behind the color grading in this image:

Does it help to convey the key aspects of these characters, or their relationship?  Does it elucidate the major themes of the movie?  Does it support the mise en scéne of the image?

Or perhaps, since this is a comedy after all, you may say that it simply makes the scene funnier.

Really?

Does it make it funnier than say, this?

Or this?

Or this?

Or how about this?

Now you may say, "Well, that look doesn't need any justification, any more than the looks of the scenes you chose - it is just a pleasing look that makes the actors "pop" from the background."

The problem with that argument is that all these other scenes have a very naturalistic look (except Young Frankenstien of course) that does nothing to distract the viewer from the key elements of the scene - namely, the actors, the delivery of their lines, and their comic actions.  To me, the preternaturally vibrant orange and teal of the scene from Hot Tub Time Machine completely distracts me from anything else going on.

And that is simply bad filmmaking.

Teal and Orange - Hollywood, Please Stop the Madness

Those of you who watch a lot of Hollywood movies may have noticed a certain trend that has consumed the industry in the last few years.  It is one of the most insidious and heinous practices that has ever overwhelmed the industry.  Am I talking about the lack of good scripts?  Do I speak of the dependency of a few mega-blockbuster hits to save the studios each year, or of the endless sequels and television retreads?  No, I am talking about something much more dangerous, much deadlier to the health of cinema.

I speak of course, of THE COLOR GRADING VIRUS THAT IS TEAL & ORANGE!!!

This is the insidious practice of color-grading every movie with a simplified, distilled palette of teal and orange like this:

Or this:

Or this:

So how did we get here, you may ask. Well, it's a sad and sordid tale my friend, the combination of new digital technology and a good idea gone bad.

Spook Hunt Scenes 2 and 3

Here's a rough cut of scenes 2 and 3 with a first pass of color-grading.  At the end of Scene 3, we really start to get into the meat of the film!


Spook Hunt Scenes 2 and 3 from Todd Miro on Vimeo.