Wednesday, July 14, 2010
Check Out the Updated Spook Hunt Website
We're in the homestretch of shooting Enter The Dark and it was time to give the website an update in preparation for the movie's premiere (hopefully at this year's Screamfest).
There will be more to come as I edit and post the trailer and add some more content throughout.
Labels:
Canon 7D,
horror movies,
indie film,
spook hunt,
website
Thursday, July 8, 2010
M. Night Shyamalan and the Career Arc of a Director
No, I haven't seen The Last Airbender yet.
And I'm not gonna.
Know why? Two words - The Happening.
I loved Sixth Sense - liked Unbreakable - loved Signs - tried to like The Village - was totally unimpressed with Lady in the Water.
I figured I'd give M. Night one more chance with The Happening. But do you know what happened at The Happening?... He took my 10 bucks and spit in my face.
Really.
That movie is an affront to filmmaking - either one of the worst, most tone-deaf movies made in the last 30 years, or the most brilliant satiric self-immolation ever put to film. I seriously thought he was trying to purposefully trash his career so he could get out of his current contract by making the worst movie ever.
Then he made The Last Airbender... and it's getting even worse reviews. I don't need to see it.
How can this be possible? How can the same guy who made Sixth Sense and Signs, two of my favorite movies of the last decade, slide steadily into absolute dreck? Has he totally lost his mind? Does he not care anymore? Did someone else write and direct his first three movies for him?
I wanted to see just how bad it really was, so I did what I always do...
I made a chart:
This chart shows the ratings (per Rotten Tomatoes) for every M. Night directed movie. As you can see, it looks like a big ol' slide to wretchedness.
That got me thinking... What do other director's charts look like?
And I'm not gonna.
Know why? Two words - The Happening.
I loved Sixth Sense - liked Unbreakable - loved Signs - tried to like The Village - was totally unimpressed with Lady in the Water.
I figured I'd give M. Night one more chance with The Happening. But do you know what happened at The Happening?... He took my 10 bucks and spit in my face.
Really.
That movie is an affront to filmmaking - either one of the worst, most tone-deaf movies made in the last 30 years, or the most brilliant satiric self-immolation ever put to film. I seriously thought he was trying to purposefully trash his career so he could get out of his current contract by making the worst movie ever.
Then he made The Last Airbender... and it's getting even worse reviews. I don't need to see it.
How can this be possible? How can the same guy who made Sixth Sense and Signs, two of my favorite movies of the last decade, slide steadily into absolute dreck? Has he totally lost his mind? Does he not care anymore? Did someone else write and direct his first three movies for him?
I wanted to see just how bad it really was, so I did what I always do...
I made a chart:
This chart shows the ratings (per Rotten Tomatoes) for every M. Night directed movie. As you can see, it looks like a big ol' slide to wretchedness.
That got me thinking... What do other director's charts look like?
Labels:
Alien,
Apocalypse Now,
Blade Runner,
hollywood,
Kubrick,
movies,
story,
The Exorcist
Sunday, July 4, 2010
Daybreakers - The King of Teal and Orange!
Ding! Ding! Ding!
We have a winner!!
I just saw Daybreakers and it is by far the most extreme version of Teal and Orange ever! It wins by way of knockout over the former title holder, Transformers 2.
Now, the interesting thing is that even though every single scene is drenched in shades of teal and orange (ok, and the occasional RED too), I can actually accept it for this movie because it makes sense within the context of the story - a world in which vampires are the norm and humans are an ever-dwindling endangered race.
(Ethan Hawke - Yawny McYawn)
As to the movie itself... well I wish they had spent as much budget on character development as they did on art direction. The main problem is the characters, especially the lead, Ethan Hawke, are incredibly flat and boring. You really don't care what happens to any of them - stay vampire, turn back human, die, blow up - I really couldn't be bothered.
(ok - Willem Dafoe isn't bad. If the whole movie had a bunch of Dafoes running around, it wouldn't entirely suck)
The vampire mythos is about sex, seduction and eternal life - not cornering the market on near-blood.
Yawn.
Labels:
horror movies,
orange and teal
Monday, June 28, 2010
Actors I'd Most Like to Cast in My Next Movie
Not that it would ever actually happen, but if I could pick up a phone and attach any of these actors to my next project, I'd be a happy camper.
Hey, I can dream can't I?!
Steve Buscemi

Don Cheadle

Toni Collete
Zooey Deschanel
Morgan Freeman
Paul Giamatti
Luis Guzman
Philip Seymour Hoffman
Holly Hunter
Jason Isaacs
Catherine Keener
Harvey Keitel
Laura Linney
William Macy
Frances McDormand
Ian McShane
Hey, I can dream can't I?!
Steve Buscemi 
Don Cheadle
Toni Collete
Zooey Deschanel Morgan Freeman
Paul Giamatti
Luis Guzman
Philip Seymour Hoffman
Holly Hunter
Jason Isaacs
Catherine Keener
Harvey Keitel
Laura Linney
William Macy
Frances McDormand
Ian McShane
Labels:
actors,
hollywood,
indie film,
movies
Wednesday, June 23, 2010
The Host - A Monster Movie I Wish I Had Made
This is one of those movies that I heard about more than a year ago, so I put it in my queue where it just sat there in Netflix purgatory until I finally remembered why I wanted to see it. Hate when that happens.
I should have seen it immediately - this is a great film.
The Host (for the two or three of you who haven't seen it already) is a South Korean monster movie that centers around a mutated fish-frog beast, a deadly virus, an inept Korean government, a corrupt and exploitative American presence, and a sleepy-headed protagonist that no one will listen to.
What you might expect is a typical low-budget monster movie that at best achieves levels of entertaining camp.
What you get however, is the best monster movie since... dang, since I don't know when. It is surely better than Cloverfield, or that horrible Roland Emmerich Godzilla farce. It is at times funny, scary, politically scathing and heart-wrenching. It is also beautifully shot and masterfully directed from a script that focuses on (gasp) character development over blowing things up.
Interestingly enough, this was not some low-budget genre piece, this was a major blockbuster-type big-budget film (at least in South Korean terms - about $10 million), that still managed to hold onto its core vision. You see, this is a monster movie that really isn't all that interested in the monster - this is very simply a story about a father who has lost his daughter and will do anything to get her back. It is also a story about family - non-traditional family structures and the love that binds them.
Just as Let The Right One In raised the bar for vampire movies by taking a more low-key and personal approach, The Host reboots the monster movie by focusing on the real effects on people's lives. Yes, I know many movies try this approach (I actually thought Spielberg's War of The Worlds did a pretty good job), but most fail because their heart really isn't in it. While they pay lip service to building their characters and relationships, they really just want to get to the money shots of big-ass monsters smashing shit up.
The Host presents us with a family that will fight for each other and die for each other. When their government, police and military not only let them down but actively try to capture and torture them at every turn, they have only themselves to rely on - nothing but their dogged determination, a few molotov cocktails and a bow and arrow to fell the angry beast.
This is also a story of redemption - where every character gets a second chance to overcome their own personal demons - some fail and some succeed. What more could one ask from a movie.
I should have seen it immediately - this is a great film.
The Host (for the two or three of you who haven't seen it already) is a South Korean monster movie that centers around a mutated fish-frog beast, a deadly virus, an inept Korean government, a corrupt and exploitative American presence, and a sleepy-headed protagonist that no one will listen to.
What you might expect is a typical low-budget monster movie that at best achieves levels of entertaining camp.
What you get however, is the best monster movie since... dang, since I don't know when. It is surely better than Cloverfield, or that horrible Roland Emmerich Godzilla farce. It is at times funny, scary, politically scathing and heart-wrenching. It is also beautifully shot and masterfully directed from a script that focuses on (gasp) character development over blowing things up.
Interestingly enough, this was not some low-budget genre piece, this was a major blockbuster-type big-budget film (at least in South Korean terms - about $10 million), that still managed to hold onto its core vision. You see, this is a monster movie that really isn't all that interested in the monster - this is very simply a story about a father who has lost his daughter and will do anything to get her back. It is also a story about family - non-traditional family structures and the love that binds them.
Just as Let The Right One In raised the bar for vampire movies by taking a more low-key and personal approach, The Host reboots the monster movie by focusing on the real effects on people's lives. Yes, I know many movies try this approach (I actually thought Spielberg's War of The Worlds did a pretty good job), but most fail because their heart really isn't in it. While they pay lip service to building their characters and relationships, they really just want to get to the money shots of big-ass monsters smashing shit up.
The Host presents us with a family that will fight for each other and die for each other. When their government, police and military not only let them down but actively try to capture and torture them at every turn, they have only themselves to rely on - nothing but their dogged determination, a few molotov cocktails and a bow and arrow to fell the angry beast.
This is also a story of redemption - where every character gets a second chance to overcome their own personal demons - some fail and some succeed. What more could one ask from a movie.
Labels:
horror movies,
story
Friday, June 18, 2010
Spook Hunt Scene 5 Notes - an unwelcome late night visitor
We recently shot scene 5 from my indie short movie, Spook Hunt. The usual suspects were there to make the evening happen - actors Rob Sandusky & Charles Yoakum, Director of Photography Rob Weiner (with his Canon 7D) and Ben Weiner recording audio. Oh yeah, and me running around like a goofball trying to do too much as usual.
We only had a couple of hours to shoot so I had picked a fairly easy section of scene 5 to cover. Charles discovers another piece of ghostly "evidence" and tries to convince Rob of it's validity. Rob is not only not convinced, he's now convinced that Charles is just messing with him, gets pissed off and storms out of the room. Pretty simple. The boys did a great job of building up the scene and hitting their emotional marks.
After the shoot wrapped, I spent the usual hour or so transferring and checking the video and audio files. Of course, when I finally tried to go to sleep, my head was still swimming with ideas and questions and recapping the evening. I started thinking about upcoming scenes that we need to shoot and ways to make them better. Can I make this part scarier, can I build more tension, a better payoff - what if this happened... or they saw this... or heard this...?? So I'm laying in bed at around 1:30 am, filling my head with the scariest shit I can think of to see if it will work in my movie. I am now in that weird half-sleep state where part of my consciousness has drifted off, while the other part keeps chugging along working on the movie, like a computer that won't shut down.
I change positions in bed so I'm now facing the side of the bed closest to me and I see this staring at me:
Well, actually it wasn't exactly that (that is the demon from the Exorcist), it was actually a lot scarier than that and I could hop over to Photoshop and render a more accurate version for you but I really have no desire to force myself to remember that image with any level of detail.
As soon as I see this demon I literally levitate off the bed and propel myself to the opposite side of the bed whereupon I crash into my wife while uttering a totally pathetic shriek. She is not too happy with me. I dare not tell her what I've just seen.
I look back to the side of the bed and of course it is no longer there. I try to convince myself that it was just a trick of my mind. A left-over spectre from my strange sleep-state. You think about ghosts, demons and scary shit for long enough and of course your dreams will be filled with them.
This is not the first time my dreams have been plagued by haunted images. The thing about making horror movies is that they live in your head for years at a time. You are constantly thinking about the most violent, horrific and terrifying things. When Lis and I were putting finishing touches on The Commune, I had some horribly messed-up dreams. Now as I'm trying to wrap up Spook Hunt, I am getting visited again.
However, the thing about this last vision was - it really wasn't a dream. I did not dream I woke up, rolled over and saw a demon staring at me. I actually did wake up, roll over and see a demon staring at me. Now obviously, in my ghostly-obsessed state, my tortured mind must have simply conjured a demonic image where there were only abstract patterns of light and shadow.
Right?
That's what I continue to tell myself every night as I try to doze off to sleep - always keeping one eye on the watch for my unwanted late night visitor.
(... by the way next time, remind me to make a comedy - or at least not shoot a horror film in MY FREAKING HOUSE!!)
(Charles pleads his case)
We only had a couple of hours to shoot so I had picked a fairly easy section of scene 5 to cover. Charles discovers another piece of ghostly "evidence" and tries to convince Rob of it's validity. Rob is not only not convinced, he's now convinced that Charles is just messing with him, gets pissed off and storms out of the room. Pretty simple. The boys did a great job of building up the scene and hitting their emotional marks.
(Rob is not impressed)
After the shoot wrapped, I spent the usual hour or so transferring and checking the video and audio files. Of course, when I finally tried to go to sleep, my head was still swimming with ideas and questions and recapping the evening. I started thinking about upcoming scenes that we need to shoot and ways to make them better. Can I make this part scarier, can I build more tension, a better payoff - what if this happened... or they saw this... or heard this...?? So I'm laying in bed at around 1:30 am, filling my head with the scariest shit I can think of to see if it will work in my movie. I am now in that weird half-sleep state where part of my consciousness has drifted off, while the other part keeps chugging along working on the movie, like a computer that won't shut down.
I change positions in bed so I'm now facing the side of the bed closest to me and I see this staring at me:
(please leave me alone and kindly visit my neighbors, m'kay)
Well, actually it wasn't exactly that (that is the demon from the Exorcist), it was actually a lot scarier than that and I could hop over to Photoshop and render a more accurate version for you but I really have no desire to force myself to remember that image with any level of detail.
As soon as I see this demon I literally levitate off the bed and propel myself to the opposite side of the bed whereupon I crash into my wife while uttering a totally pathetic shriek. She is not too happy with me. I dare not tell her what I've just seen.
I look back to the side of the bed and of course it is no longer there. I try to convince myself that it was just a trick of my mind. A left-over spectre from my strange sleep-state. You think about ghosts, demons and scary shit for long enough and of course your dreams will be filled with them.
This is not the first time my dreams have been plagued by haunted images. The thing about making horror movies is that they live in your head for years at a time. You are constantly thinking about the most violent, horrific and terrifying things. When Lis and I were putting finishing touches on The Commune, I had some horribly messed-up dreams. Now as I'm trying to wrap up Spook Hunt, I am getting visited again.
However, the thing about this last vision was - it really wasn't a dream. I did not dream I woke up, rolled over and saw a demon staring at me. I actually did wake up, roll over and see a demon staring at me. Now obviously, in my ghostly-obsessed state, my tortured mind must have simply conjured a demonic image where there were only abstract patterns of light and shadow.
Right?
That's what I continue to tell myself every night as I try to doze off to sleep - always keeping one eye on the watch for my unwanted late night visitor.
(... by the way next time, remind me to make a comedy - or at least not shoot a horror film in MY FREAKING HOUSE!!)
Labels:
Canon 7D,
horror,
horror movies,
indie film,
Photoshop,
spook hunt,
story,
The Commune
Tuesday, June 15, 2010
Top Things Horror Movies Taught Me
Or things I actually still do as a grown-up man because of horror movies:
- I never sleep with my arm dangling off the edge of the bed. I don't even like to have my hands exposed. Do you really want to wake up with the sensation of someone holding your hand when you're the only one in your bed?
- I never walk into a dark bathroom and look at the mirror while turning the light on. I always walk in, look down, turn the light on... wait.. and then look into the mirror. You never know what you'll find looking back at you.
- I never swim at night- oceans, lakes, pools, hot tubs - I don't care. Even bathtubs are suspect.
- I always sit facing the entrance when I'm at a restaurant (oh that one could be because of too many Scorsese films...)
- I never pick up hitchhikers.
- I never walk around a dark forest at night. (I actually had to do this once to search for my lost dog and it was not pretty - I kept hearing snapping twigs echoing from the canyon walls).
- I never EVER play around with Ouja boards or seances - you're just asking for trouble.
And things I always keep in mind (though they haven't actually happened to me yet):
- If you're with a group of friends in a dark and spooky place, and you're the one cracking jokes - you're probably going to die soon. If you're also a minority - forget about it... you're already dead.
- If you're in a foreign country and some unbelievably hot model chicks ask you and your buddies to spend the night in their room - run away. If you've already spent the night in their room... you're already dead.
- Always try to be extra nice to elderly eastern-European grandmothers. Especially those with really nasty teeth and bad eyesight.
- When you have a choice between a flashlight and a chainsaw... please... I mean c'mon people!
- Never trust a clown.
- When someone specifically tells you not to go into a particular room - you might want to heed their advice.
- If your littler sister gets sucked into the tv - sorry... tough break. I mean mom always told you not to sit too close...
- Always shoot for the head - and puh-leez kick the gun/saw/knife/chainsaw/sawed-off-shotgun away from the madman/zombie/monster's hand, or better yet, use it to shoot/slash/decapitate.
- Never go back for the cat.
- I never sleep with my arm dangling off the edge of the bed. I don't even like to have my hands exposed. Do you really want to wake up with the sensation of someone holding your hand when you're the only one in your bed?
- I never walk into a dark bathroom and look at the mirror while turning the light on. I always walk in, look down, turn the light on... wait.. and then look into the mirror. You never know what you'll find looking back at you.
- I never swim at night- oceans, lakes, pools, hot tubs - I don't care. Even bathtubs are suspect.
(dinner is served)
- I never pick up hitchhikers.
(wanna see something REALLY SCARY??)
- I never walk around a dark forest at night. (I actually had to do this once to search for my lost dog and it was not pretty - I kept hearing snapping twigs echoing from the canyon walls).
- I never EVER play around with Ouja boards or seances - you're just asking for trouble.
(see - I told ya)
And things I always keep in mind (though they haven't actually happened to me yet):
- If you're with a group of friends in a dark and spooky place, and you're the one cracking jokes - you're probably going to die soon. If you're also a minority - forget about it... you're already dead.
- If you're in a foreign country and some unbelievably hot model chicks ask you and your buddies to spend the night in their room - run away. If you've already spent the night in their room... you're already dead.
(eh - maybe it was worth it...)
- Always try to be extra nice to elderly eastern-European grandmothers. Especially those with really nasty teeth and bad eyesight.
(yeah - like that)
- When you have a choice between a flashlight and a chainsaw... please... I mean c'mon people!
- Never trust a clown.
(now just think about this a sec kiddo - just why would a clown be living in a sewer...?)
- When someone specifically tells you not to go into a particular room - you might want to heed their advice.
- If your littler sister gets sucked into the tv - sorry... tough break. I mean mom always told you not to sit too close...
(you're on yer own beatch)
(yeah - what he said)
- Never go back for the cat.
(oh Jonesy... here kitty kitty...)
Labels:
Alien,
horror,
horror movies,
Kubrick
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